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Paa Movie Review

Auro (Amitabh) is a 12 year progeria infected kid living with his gynecologist mother Vidya (Vidya Balan) and her mother (Arundhati Naag)

. Extremely witty Auro happens to win an award in his school from a young politician, Amol Arte (Abhishek). On the same night when Vidya watches its telecast, she realizes that Auro actually met his father for the first time. During her student days abroad, she was in a relationship with Amol but had broken off with him over their decision whether to keep the child or not. Amol wanted it aborted and not commit for marriage as he wanted to pursue his political ambitions. Progeria affected children dont happen to live beyond 13-14 years so when Auro collapses and she fears he is nearing his final stages of his life, she reveals to him that Amol is his father. What follows next and how Auro is instrumental and getting his estranged parents back together forms the rest of the film.

Years later, Amol, who is now a Member of Parliament, accidentally meets Auro at a school event, both oblivious to the fact that they are father and son.

Much in the same vein as the director's previous film Cheeni Kum, the first half of Paa unfolds breezily, with witty dialogue and clever scenes used effectively to establish the characters and their relationships. Steering clear of pity, even in delicate scenes, Balki avoids the obvious pitfalls that come with stories about characters suffering from grim conditions.

There is however, one major speed-bump before intermission, a track in which the young politician Amol launches into a verbal attack on the media. It sticks out in the film because that scenario is so amateurishly scripted and comes off looking embarrassingly self-righteous.

There are more problems in the film's second half when the tone suddenly turns exceedingly manipulative, and several scenes are stretched unnecessarily like the one in a Delhi metro where Auro questions Amol about the futility of having bodyguards.

Amitabh Bachchan takes the levels of acting to a higher transcend.Even though the movie revolves around Auro, other actors manages to leave their impression especially Abhishek Bachchan, who has played the father of Auro in the movie. The confidence of a young politician and the conflict of a young father have been portrayed very well by him.

Vidya Balan needs an appluase for picking up this character, which many actresses of the day would not have dared to take. she plays the role of a mother effortlessly and her depiction of a young mother is commendable. Though Paa is a father-son stpry but the stpry of mother-son in the movie does leave an impact.

Paa is a movie about a father-son relationship. The movie pulls in some dry humor and includes directors personal views on issues from politics to motherhood. The movie remains lighthearted and touches the heart subtly to a rather deeper level.

The centerpiece of the action, of course, is Amitabh Bachchan. Under that excellent prosthetic make-up, his baritone replaced by a childish squeaky voice, Bachchan becomes Auro. There is no trace of the legendary 68-year-old star; what you get is a pitch-perfect performance as a gawky but spirited teenager.

PC Sreeram's dazzling cinematography and Illayraja's soothing score help make up for many of the script's flaws, and ultimately contribute to making Paa an easy, enjoyable watch.

I'm going with three out of five for director R Balki's Paa. Few filmmakers stick their necks out to tell difficult and different stories in these days of mindless entertainers making potloads of money. For their intentions alone, the makers of Paa deserve a thumbs-up.

by: srk
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Paa Movie Review